Posts tagged poetry.
Happy 80th birthday, Sylvia Plath!
Sylvia Plath
27 October 1932 - 11 February 1963
A Birthday Present

What is this, behind this veil, is it ugly, is it beautiful? 
It is shimmering, has it breasts, has it edges? 

I am sure it is unique, I am sure it is what I want. 
When I am quiet at my cooking I feel it looking, I feel it thinking 

'Is this the one I am too appear for, 
Is this the elect one, the one with black eye-pits and a scar? 

Measuring the flour, cutting off the surplus, 
Adhering to rules, to rules, to rules. 

Is this the one for the annunciation? 
My god, what a laugh!’ 

But it shimmers, it does not stop, and I think it wants me. 
I would not mind if it were bones, or a pearl button. 

I do not want much of a present, anyway, this year. 
After all I am alive only by accident. 

I would have killed myself gladly that time any possible way. 
Now there are these veils, shimmering like curtains, 

The diaphanous satins of a January window 
White as babies’ bedding and glittering with dead breath. O ivory! 

It must be a tusk there, a ghost column. 
Can you not see I do not mind what it is. 

Can you not give it to me? 
Do not be ashamed—I do not mind if it is small. 

Do not be mean, I am ready for enormity. 
Let us sit down to it, one on either side, admiring the gleam, 

The glaze, the mirrory variety of it. 
Let us eat our last supper at it, like a hospital plate. 

I know why you will not give it to me, 
You are terrified 

The world will go up in a shriek, and your head with it, 
Bossed, brazen, an antique shield, 

A marvel to your great-grandchildren. 
Do not be afraid, it is not so. 

I will only take it and go aside quietly. 
You will not even hear me opening it, no paper crackle, 

No falling ribbons, no scream at the end. 
I do not think you credit me with this discretion. 

If you only knew how the veils were killing my days. 
To you they are only transparencies, clear air. 

But my god, the clouds are like cotton. 
Armies of them. They are carbon monoxide. 

Sweetly, sweetly I breathe in, 
Filling my veins with invisibles, with the million 

Probable motes that tick the years off my life. 
You are silver-suited for the occasion. O adding machine——- 

Is it impossible for you to let something go and have it go whole? 
Must you stamp each piece purple, 

Must you kill what you can? 
There is one thing I want today, and only you can give it to me. 

It stands at my window, big as the sky. 
It breathes from my sheets, the cold dead center 

Where split lives congeal and stiffen to history. 
Let it not come by the mail, finger by finger. 

Let it not come by word of mouth, I should be sixty 
By the time the whole of it was delivered, and to numb to use it. 

Only let down the veil, the veil, the veil. 
If it were death 

I would admire the deep gravity of it, its timeless eyes. 
I would know you were serious. 

There would be a nobility then, there would be a birthday. 
And the knife not carve, but enter 

Pure and clean as the cry of a baby, 
And the universe slide from my side.
"I talk to God but the sky is empty."

— Sylvia Plath, from a letter to Richard Sassoon, 19 February 1950 (via proustitute)

"It was my love that did us both to death."

— Sylvia Plath, Electra on Azalea Path (via the-final-sentence)

Courtney Love was rejected from The Mickey Mouse Club at age 12 after reading a Sylvia Plath poem for her audition.
Mussel Hunter at Rock Harbor

I came before the water —-
Colorists came to get the
Good of the Cape light that scours
Sand grit to sided crystal
And buffs and sleeks the blunt hulls
Of the three fishing smacks beached
On the bank of the river’s

Backtracking tail. I’d come for
Free fish-bait: the blue mussels
Clumped like bulbs at the grassroot
Margin of the tidal pools.
Dawn tide stood dead low. I smelt
Mud stench, shell guts, gulls’ leavings;
Heard a queer crusty scrabble

Cease, and I neared the silenced
Edge of a cratered pool-bed.
The mussels hung dull blue and
Conspicuous, yet it seemed
A sly world’s hinges had swung
Shut against me. All held still.
Though I counted scant seconds,

Enough ages lapsed to win
Confidence of safe-conduct
In the wary other world
Eyeing me. Grass put forth claws,
Small mud knobs, nudged from under,
Displaced their domes as tiny
Knights might doff their casques. The crabs

Inched from their pygmy burrows
And from the trench-dug mud, all Camouflaged in mottled mail
Of browns and greens. Each wore one
Claw swollen to a shield large
As itself—no fiddler’s arm
Grown Gargantuan by trade,

But grown grimly, and grimly
Borne, for a use beyond my
Guessing of it. Sibilant
Mass-motived hordes, they sidled
Out in a converging stream
Toward the pool-mouth, perhaps to
Meet the thin and sluggish thread

Of sea retracing its tide-
Way up the river-basin.
Or to avoid me. They moved
Obliquely with a dry-wet
Sound, with a glittery wisp
And trickle. Could they feel mud
Pleasurable under claws

As I could between bare toes?
That question ended it—I
Stood shut out, for once, for all,
Puzzling the passage of their
Absolutely alien
Order as I might puzzle
At the clear tail of Halley’s

Comet coolly giving my
Orbit the go-by, made known
By a family name it
Knew nothing of. So the crabs
Went about their business, which
Wasn’t fiddling, and I filled
A big handkerchief with blue

Mussels. From what the crabs saw,
If they could see, I was one
Two-legged mussel-picker.
High on the airy thatching
Of the dense grasses I found
The husk of a fiddler-crab,
Intact, strangely strayed above

His world of mud—green color
And innards bleached out blown off
Somewhere by much sun and wind;
There was no telling if he’d
Died recluse of suicide
Or headstrong Columbus crab.
The crab-face, etched and set there,

Grimaced as skulls grimace: it
Had an Oriental look,
A samurai death mask done
On a tiger tooth, less for
Art’s sake than God’s. Far from sea —-
Where red-freckled crab-backs, claws
And whole crabs, dead, their soggy

Bellies pallid and upturned,
Perform their shambling waltzes
On the waves’ dissolving turn
And return, losing themselves
Bit by bit to their friendly
Element—this relic saved
Face, to face the bald-faced sun.

- Sylvia Plath


There is a panther stalks me down:
One day I’ll have my death of him;
His greed has set the woods aflame,
He prowls more lordly than the sun.
Most soft, most suavely glides that step,
Advancing always at my back;
From gaunt hemlock, rooks croak havoc:
The hunt is on, and sprung the trap.
Flayed by thorns I trek the rocks,
Haggard through the hot white noon.
Along red network of his veins
What fires run, what craving wakes?

Insatiate, he ransacks the land
Condemned by our ancestral fault,
Crying: blood, let blood be spilt;
Meat must glut his mouth’s raw wound.
Keen the rending teeth and sweet
The singeing fury of his fur;
His kisses parch, each paw’s a briar,
Doom consummates that appetite.
In the wake of this fierce cat,
Kindled like torches for his joy,
Charred and ravened women lie,
Become his starving body’s bait.

Now hills hatch menace, spawning shade;
Midnight cloaks the sultry grove;
The black marauder, hauled by love
On fluent haunches, keeps my speed.
Behind snarled thickets of my eyes
Lurks the lithe one; in dreams’ ambush
Bright those claws that mar the flesh
And hungry, hungry, those taut thights.
His ardor snares me, lights the trees,
And I run flaring in my skin;
What lull, what cool can lap me in
When burns and brands that yellow gaze?

I hurl my heart to halt his pace,
To quench his thirst I squander blook;
He eats, and still his need seeks food,
Compels a total sacrifice.
His voice waylays me, spells a trance,
The gutted forest falls to ash;
Appalled by secret want, I rush
From such assault of radiance.
Entering the tower of my fears,
I shut my doors on that dark guilt,
I bolt the door, each door I bolt.
Blood quickens, gonging in my ears:

The panther’s tread is on the stairs,
Coming up and up the stairs.

- Sylvia Plath

The Impassioned Voice: Volume 1: Issue 1



Sooooooooo… this is it. 

We already have a ton of improvements for the next time around, but we’ll wait to share them when we hear from you. 


P.S. Kindly let us know if there’s a typo or anything of the sort. =/

Hey guys, so this is kind of shameless self-promotion, but there’s also an article on Sylvia Plath in there. :] It’d be great if you guys could take a look/reblog.

- Jasmeet

Sylvia Plath - Mad Girl’s Love Song

Sylvia Plath - Mad Girl’s Love Song

Sheep In Fog

The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.

The train leaves a line of breath.
O slow
Horse the colour of rust,

Hooves, dolorous bells ——
All morning the
Morning has been blackening,

A flower left out.
My bones hold a stillness, the far
Fields melt my heart.

They threaten
To let me through to a heaven
Starless and fatherless, a dark water.

Sylvia Plath

Black Rook in Rainy Weather

On the stiff twig up there
Hunches a wet black rook
Arranging and rearranging its feathers in the rain.
I do not expect a miracle
Or an accident

To set the sight on fire
In my eye, not seek
Any more in the desultory weather some design,
But let spotted leaves fall as they fall,
Without ceremony, or portent.

Although, I admit, I desire,
Occasionally, some backtalk
From the mute sky, I can’t honestly complain:
A certain minor light may still
Leap incandescent

Out of the kitchen table or chair
As if a celestial burning took
Possession of the most obtuse objects now and then —-
Thus hallowing an interval
Otherwise inconsequent

By bestowing largesse, honor,
One might say love. At any rate, I now walk
Wary (for it could happen
Even in this dull, ruinous landscape); sceptical,
Yet politic; ignorant

Of whatever angel may choose to flare
Suddenly at my elbow. I only know that a rook
Ordering its black feathers can so shine
As to seize my senses, haul
My eyelids up, and grant

A brief respite from fear
Of total neutrality. With luck,
Trekking stubborn through this season
Of fatigue, I shall
Patch together a content

Of sorts. Miracles occur,
If you care to call those spasmodic
Tricks of radiance miracles. The wait’s begun again,
The long wait for the angel.
For that rare, random descent.

Sylvia Plath, 1956